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In the opening soliloquy he desperately gropes out loud in an attempt to locate the source of his emptiness. Oh, but nothing more. Where can I grasp you, never-ending Nature?

You founts of all of life, That earth and heaven hang upon love And where the parched soul craves to be, You flow, you give to drink, but not to me.

In the beginning it's difficult to tell whether Faust harbors any faith in God. Faust desires some sort of ineffable experience; he desires a base inflammation of the senses, most importantly of his own passion for life.

It could be argued that Mephistopheles appears essentially because Faust desires to lose himself in sublime sinfulness. God might only show up to suggest that his mortal frustrations and complex questions can in fact be answered, but only by one book.

More importantly, if it were for the grace of God's true presence in Faust's existence, his questions would abate under the reverent awe of his own faith.

It's obviously not there. It's at this point that Mephistopheles appears, offering what any average mortal would desire in the throes of their own suffering, brought on by an overwhelming abundance of probing, difficult questions; namely the earthly pleasures of amorous love.

To be clear, Gretchen's character is offered to Faust to appease the longings of his heart more than that of his loins.

Having the position and immortal power that Mephistopheles does, he understands that Faust will be more than willing to accept his wager.

But, as most critics suggest, Mephistopheles also knows that a character such as Faust, despite not really being a man of faith, will ruin such an immediate route to happiness.

Naturally, Gretchen detects the way in which this internal struggle of Faust's causes him to be so distant. Not only that, but she distrusts Mephistopheles, and is committed to God.

There is a clunky and somewhat fragmented quality to the way that Goethe presents many of the difficult concerns of Faust and his wager with Mephistopheles.

Initially, he is so troubled, merely by the thought that all of his worldly academic efforts are made in vain. His frustration with the futility of his effort to enlighten himself and to better understand the beautiful complexity of the world, reaches a sort of peak, at which point he loses faith in virtually everything.

At first amused by the idea of the very appearance of Mephistopheles, he's eventually perplexed by how effortlessly he can access the very happiness which he could hardly even give a name to.

Is he, in this sense, troubled once again by the knowledge that he possesses, the knowledge of the disappointing outcome of his temporary pleasures?

One could almost draw a parallel to Nietzsche's description of the existential frustration that cripples Shakespeare's Hamlet from acting on his anger due to the knowledge that he has of the awful situation occurring around him.

To an atheist, especially an academic one, virtually all of this might sound a little silly. The reality of the situation is that Mephistopheles is actually quite fun.

As he says in response to Faust's question of who Mephistopheles is, "A part of the power who wills evil always but always works the good. This might sound confusing to some, but what he's doing is mockingly suggesting to Faust that his attachment to traditional notions of sin and goodliness is ridiculous.

Toward the end, Faust ignorantly insists that the wager is destined to end in despair and disappointment. Mephistopheles, already aware of how seemingly full of disappointment most mortal situations might appeal to human beings, basically has a little fun with Faust's misguided convictions of goodness.

So then is this a tragedy? Toward the end of the first part of Goethe's morally confusing masterpiece, it becomes increasingly difficult to believe that there is anything tragic about the fate of Faust.

Sep 25, p. It was assigned to me when I was in middle school for my Spanish class. I chose, however, this play by Goethe, having no idea what it was about.

Instead, I got interested in such delightful activities for two main reasons. Heinrich Faust, the main character in this poetic play.

I think Goethe's point was to make an emphasis in this lack of something in human understanding and that no matter how hard we try there'll be always something greater than us that we won't be able to understand with our minds designed for only three dimensions, like Ivan Karamazov said.

He says the Universe isn't perfect since Man still feels miserable. Therefore, there are many converging points in both books, but they differ from each other.

So Faust is a very learned man who has studied everything that ever existed, and yet he still feels he's missing something about existence, something that isn't written down in those books and that perhaps cannot be put to words.

He then expresses the words that have become famous because of their depth and their importance in this work: And it's the Spirit who lowers this learned man to his human condition, making him aware of his delimited understanding.

Faust, however, persists and trying to prove his godliness, he tries to commit suicide, when suddenly the the church bells ring and an angelic choir from above is heard, announcing Christ's resurrection.

The agreement is settled with blood. Then he meets Gretchen, also known as Margaret, and that's what Faust's misery gets worse — and even worse for Gretchen, who before meeting Faust and his horrid companion was such a pure creature that at first Mephisto does not think he can get her.

Faust blames Mephistopheles for distracting him at the Walpurus Night instead of taking him to save Gretchen.

This is when I realised Goethe used Mephisto to point out the flaws of our minds, sometimes in earnest, sometimes in jest, like people's tendency to blame external, sometimes supernatural causes for their mistakes.

I'm afraid Goethe wrote the second part until the last year of his life. I'm not as learned as Doctor Faust, but I think I found in reading this book the kind of fervor he was looking for.

Illustrated by Goethe himself. View all 11 comments. Oct 12, Sophia rated it it was amazing. Ironically, Faust reveals his disapproval for books as a true source of knowledge in understanding the world; we must turn to life and living, and experience instead.

I call this ironic because while he denounces books, Faust is a book. How beautifully, subtly crafted. This was one of the most heart wrenching books I've read in a long time.

David Constantine's translation modernizes this amazing piece of High German lit, but George Madison Priest's translation seems, at least to me, to have a more seductive flow and more tempting poetry.

Mar 19, Christopher rated it it was amazing Shelves: Not since watching Breaking Bad have I been so enthralled by a man's descent into depravity.

Dec 22, Najla Hammad rated it it was amazing. Sep 11, Michael Finocchiaro rated it it was amazing Shelves: Goethe's Faust, particularly the first part is one of the monuments of western literature.

The characters of Mephisto, Faust and Margarite and unforgettable. It has, of course inspired operas from Berlioz to Busoni and books writers such as Thomas Mann.

It was actually adapted from an earlier version by Christopher Marlowe but Goethe's version is even more sinister and lifelike.

May 18, Duffy Pratt rated it it was ok. Who knew that this book, one of the most famous in literature, was actually two separate works that seem only slightly related?

The first part is a fairly ordinary play that gets dunked in profundity through the inclusion of Mephistopheles.

There are only a few main characters here, and there wasn't much depth to any of them. I've heard that the German is tremendously good, but it's impossible for me to judge.

I switched back and forth in this part between two different trans Who knew that this book, one of the most famous in literature, was actually two separate works that seem only slightly related?

I switched back and forth in this part between two different translations. I liked the free kindle version better than my Oxford edition, but I wasn't really taken in with the language of either, except in some small parts.

On its own, I have to say that I enjoyed the first part. The second part is unlike anything I've ever read. If I didn't know that it had been invented in my lifetime, I'd swear that Goethe got himself into some very, very fine LSD.

It's very weird, jumps all over the place, and gives the impression that anything, no matter how fantastical, could be made to occur. It feels like it could never be produced as a play.

There are way too many speakers -- I hesitate to call any of them characters. In this second part, a mood might start talking, or a mythological creature, or an inanimate object, or anything at all for that matter.

And I have no idea how, if staged, anyone would know which "character" was speaking at any time. Unless, like in a childrens play, Thales or Speed-Booty, wore a placard saying who he was.

The stage directions can be just as dumbfounding. At one point, one direction says: What if the entire audience applauded?

It is one of the stranger directions I've ever seen in a play, and it made me think that Goethe may have been over a hundred years ahead of his time.

Or maybe he just realized that this was a "play" that would only ever be read, and he was just having some fun with the directions. Ultimately, this work is a long piece of lyric poetry, and I'm willing to accept that in German it is remarkably great poetry.

I suppose that people who don't speak English might have just as hard a time figuring out what's so great about Shakespeare, and that makes me sad.

But, reading Proust made me decide to learn French. I never felt anything like that tug towards German while reading Faust.

View all 4 comments. Habe wirklich viel gelacht und es auch in einem Schwung verschlungen. Mit den typischen Comicelementen wurde hervorragend herumgespielt und sprachlich wurde Goethe ziemlich geschickt eingebunden.

Trotzdem bleibt bei mir der Eindruck haften, dass man doch etwas mehr aus Goethes Vorlage hätte machen können. Also keine volle Punktzahl, aber sehr dicht dran.

Hat mir besser gefallen als erwartet, obwohl manche Stellen wirklich unnötig in die Länge gezogen wurden. Dass sich fast alles gereimt hat, ist schon beeindruckend.

Die Umsetzung ist modern und absolut komisch. Flix' Humor kommt wieder wunderbar zur Geltung und nun muss ich mich endlich an das Original machen.

Mar 03, Olivia-Savannah Roach rated it liked it. This was assigned reading for university. I was quite confused and disconnected from the play as I read it.

Although I did understand and could follow what was happening, I was lost as to the relevance of the play.

I did not enjoy reading it. But then I continued on to analysing the play and studying it - and there was where I discovered its worth, the themes it discusses and could appreciate the wit and aim of the play more.

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I cannot attempt to write a review of Goethe's Faust.

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Eine Auto-Startfunktion und der Einsatz pro Runde lässt sich natürlich auch einstellen. If I didn't know that it had been invented in my lifetime, I'd swear that Goethe got himself into some very, very fine LSD.

It's very weird, jumps all over the place, and gives the impression that anything, no matter how fantastical, could be made to occur.

It feels like it could never be produced as a play. There are way too many speakers -- I hesitate to call any of them characters.

In this second part, a mood might start talking, or a mythological creature, or an inanimate object, or anything at all for that matter. And I have no idea how, if staged, anyone would know which "character" was speaking at any time.

Unless, like in a childrens play, Thales or Speed-Booty, wore a placard saying who he was. The stage directions can be just as dumbfounding.

At one point, one direction says: What if the entire audience applauded? It is one of the stranger directions I've ever seen in a play, and it made me think that Goethe may have been over a hundred years ahead of his time.

Or maybe he just realized that this was a "play" that would only ever be read, and he was just having some fun with the directions. Ultimately, this work is a long piece of lyric poetry, and I'm willing to accept that in German it is remarkably great poetry.

I suppose that people who don't speak English might have just as hard a time figuring out what's so great about Shakespeare, and that makes me sad. But, reading Proust made me decide to learn French.

I never felt anything like that tug towards German while reading Faust. View all 4 comments. Habe wirklich viel gelacht und es auch in einem Schwung verschlungen.

Mit den typischen Comicelementen wurde hervorragend herumgespielt und sprachlich wurde Goethe ziemlich geschickt eingebunden.

Trotzdem bleibt bei mir der Eindruck haften, dass man doch etwas mehr aus Goethes Vorlage hätte machen können.

Also keine volle Punktzahl, aber sehr dicht dran. Hat mir besser gefallen als erwartet, obwohl manche Stellen wirklich unnötig in die Länge gezogen wurden.

Dass sich fast alles gereimt hat, ist schon beeindruckend. Die Umsetzung ist modern und absolut komisch. Flix' Humor kommt wieder wunderbar zur Geltung und nun muss ich mich endlich an das Original machen.

Mar 03, Olivia-Savannah Roach rated it liked it. This was assigned reading for university. I was quite confused and disconnected from the play as I read it.

Although I did understand and could follow what was happening, I was lost as to the relevance of the play. I did not enjoy reading it.

But then I continued on to analysing the play and studying it - and there was where I discovered its worth, the themes it discusses and could appreciate the wit and aim of the play more.

But it still couldn't be counted as an enjoyable or very enlightening This was assigned reading for university. But it still couldn't be counted as an enjoyable or very enlightening read for me personally.

Ich verstehe ja sehr wenig vom Genre Graphic Novel, aber alles, was ich in diesem Bereich in letzter Zeit gelesen habe, hat mir gut gefallen.

So stelle ich mir Faust 2. Bezüglich der Integrationskonstellation muss ich leider einen Stern abziehen, da wirklich die plattesten Klischees bedient und auch noch Uralt-Witze aus der Mottenkiste des letzten Jahrtausends geholt werden Das Putzmittel Attatürk und der typische Schnurrbarttürke echt jetzt?

Auch die Zwangsheirat mit dem Cousin, der zwar auf der Verbindung besteht, aber eigentlich eh nicht will, ist nicht grad der Ausdruck einer differenziert witzigen modernen Auslegung des Themas.

Die Zeichnungen finde ich nicht schlecht, jedoch ist der Unterschied zwischen den Figuren von Mephisto und Faust in manchen Szenen zu gering. Ansonsten verstehe ich ja nicht viel von dieser Kunstform, um wirklich ein kritisches Urteil abzugeben.

Es hat mir gefallen und ich kann es empfehlen: View all 3 comments. Aug 23, Christina rated it it was amazing Shelves: I get that this an important novel.

It's full of metaphors and meaning and humor of a sort and blahblahblah. I liked the idea , the Faustian myth.

How is that searching for knowledge? How does that help Faust crack the mysteries of the metaphysical? How does knocking up a fifteen year old girl and killing her brother AND helping her accidentally kill her mother, wtf, seriously, what EVEN help him reach transcendental knowledge??

I'm pretty sure I was like for most of the book With the occasional Followed by And for good measure When I finally finished I was all hide spoiler ] Philosophy, blasphemy, sorcery, seduction, murder and orgy—oh my!

But if such things were in the works to ensure that when I did read this book I would be mos Philosophy, blasphemy, sorcery, seduction, murder and orgy—oh my!

But if such things were in the works to ensure that when I did read this book I would be most capable of appreciating its saturate brilliance, I gladly do not regret them.

The young man who might have then read Faust would have lacked the perspective of the living, the loving, the suffering, reading, writing and especially meditating the intervening years were.

The world of the spirit is not sealed; Your mind is shut, your soul is dead! Awake my son, and all unwearied Bathe in the dawn of your mortal breast!

One of the biggest delights of this reading is the profusion of eastern metaphysics writ into the issue of its poetry: What a fucking treat!

Tricksters make this world Never a thing on earth gives you content? He cannot understand the disparity between humans. The discontentment isn't really a discontentment but inability to accept the things the way they are.

Isn't that ambition all about? He doesn't say that out loud but its given to him as an answer by the Tricksters make this world He doesn't say that out loud but its given to him as an answer by the lord.

The very foundation of Faust is based on the fact that an overtly ambitious man signs up his fate with dubious evil forces. For one to dream of the extraordinary and then to achieve, a compromise is made that leads them to inevitable downfall.

They get corrupted, tainted, manipulated and eventually partially destroyed by the undoing of their own imagination.

Faust and Mephisto make up this striking pair whose conversations reveal more of humanity and its idiosyncrasies.

They are the two sides of the conversation, a pair of oddities stuck on the side for a long ride. The devil nudges when the human nature fails to take the leap.

A man who wonders why he cannot be God with all the possibilities of making one, surrounding him. In a society we need Faust and Quixote and Hamlet and Don Juan - the "overweeners" with their capacity to shift the thought process of the society to what it can achieve.

Jan 08, Michelle rated it it was ok Shelves: This review has been hidden because it contains spoilers.

To view it, click here. We start in heaven, with Mephistopheles making some sort of vague deal with God to try and get a Doctor Faust damned. They say that this Faust is some sort of a Job, even though we then cut to him despairing enough to contemplate suicide--and he hasn't even met Mephistopheles yet!

The demon then turns into a poodle--seriously-follows him in from a brief walk, and ends up making a deal with him.

I'm not really sure about the deal because they throw in all so This book--play? I'm not really sure about the deal because they throw in all sorts of confusing asides about "you can take me to Hell in the hour I wish for that hour to last longer" or something.

It ends up being just when his natural lifespan ends, he goes straight to hell. Mephistopheles finds him a girl to seduce whose name is either Gretchen or Margareta--apparently Gretchen is a shortening of the name, but nobody told me that, and I never would have guessed--and then he leaves to go cavort with witches and fairies.

When he comes back, she's in jail for having killed her mother and his baby. She wants to die, and Mephistopheles hauls Faust off as the jailers come.

Wouldn't Faust's death now mean he goes straight to hell? Part Two opens with a pastoral scene of fairies doing vague things. This is the literary version of Bambi's mother's death.

We bounce around with various kings fighting, and then the story turns into an Iliad fanfic, pairing up Helen of Troy with Faust.

Faust gets old and dies, then the angels come and swipe him out of Mephistopheles's grasp. No, they don't really explain this. It might be because he "strove," but if that's it, then what we have is a mess of works righteousness--and what's more, these good actions that saved him were not shown!

This book is crazy. I read that it took Goethe sixty years on-and-off to write, and it looks as if he didn't bother to go over what he'd written before.

The plot halts for long stretches, characters we've never met before spout a few lines as their introduction and leave, and Faust himself is often left in the dust.

There's one particularly long section in which we follow a homunculus and philosopher around, without even Mephistopheles to pretend this has anything to do with the rest of the story.

Random bits of mythology are injected whenever possible, whether it makes any sense or not. Maybe other versions of Faust are better, I don't know.

If it had stopped at Part One, it would have worked, but it didn't. I only read this because Faust was in The Band Wagon.

The Band Wagon is awesome. Go watch that instead. About Johann Wolfgang von Goethe. Johann Wolfgang von Goethe. Johann Wolfgang von Goethe was a German writer.

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Auch Früchte-Slots mit tollen Gewinnchancen und Features kann man bei uns spielen! From Dusk Till Dawn! Und Fans von Casino-Klassikern dürfen sich freuen: Natürlich werden auch verschiedene Versionen von Roulette , Blackjack oder Poker angeboten auch von Novoline!

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